Acheulean - techsciencenews. Stone Age Historical Epoch. Acheulean tools are typically found with Homo erectus remains. It was the dominant technology for the vast majority of human history and more than one million years ago it was Acheulean tool users who left Africa to first successfully colonize Eurasia. Although it developed in Africa, the industry is named after the type site of Saint Acheul, now a suburb of Amiens in northern France, where some of the first examples were identified in the 1. Rediscovery. John Frere is generally credited as being the first to suggest a very ancient date for Acheulean hand- axes. In 1. 79. 7 he sent two examples to the Royal Academy in London from Hoxne in Suffolk. He had found them in prehistoric lake deposits along with the bones of extinct animals and concluded that they were made by people . His ideas were ignored by his contemporaries however, who subscribed to a pre- Darwinian view of human evolution. Acheulean tools were produced during the. This type of hammer, compared to. ACHEULIAN TOOLS ACHEULEAN HANDAXE. Different from the bifacial tools from the earlier Oldowan Period, Acheulian tools are. Acheulean tools are typically. Acheulean stone tools. Acheulean tools from Britain; Acheulian. The Oldowan-Acheulian Transition: Is there a “Developed Oldowan” Artifact Tradition? Assessment Schedule – 2010 Biology: Describe trends in human. Explains how Oldowan tools compare to Acheulian. Oldowan tools were used during the. Oldowan tools were used. Compare and contrast the Oldowan and Acheulian stone. Making of Early Hominins and Chimpanzees Compared. Later, Jacques Boucher de Cr. Again, his theories attributing great antiquity to the finds were spurned by his colleagues until one of de Perthe's main opponents, Dr Jean Paul Rigollot, began finding more tools near Saint Acheul. Following visits to both Abbeville and Saint Acheul by the geologist Joseph Prestwich, the age of the tools was finally accepted. Louis Laurent Gabriel de Mortillet described the characteristic hand- axe tools as belonging to L'Epoque de St Acheul in 1. The industry was renamed as the Acheulean in 1. Dating the Acheulean. An Acheulean handaxe from Zamora. Providing calendrical dates and ordered chronological sequences in the study of early stone tool manufacture is difficult and contentious. Radiometric dating, often potassium- argon dating, of deposits containing Acheulean material is able to broadly place the use of Acheulean techniques within the time from around 1. Numerical dates can be misleading however, and it is common to associate examples of this early human tool industry with one or more glacial or interglacial periods or with a particular early species of human. The earliest user of Acheulean tools was Homo ergaster who first appeared almost 2 million years ago. Not all researchers use this formal name however and instead prefer to call these users early Homo erectus. It is therefore important not to see the Acheulean as a neatly defined period or one that happened as part of a clear sequence but as one tool- making technique that flourished especially well in early prehistory. The enormous geographic spread of Acheulean techniques also makes the name unwieldy as it represents numerous regional variations on a similar theme. The term Acheulean does not represent a common culture in the modern sense, rather it is a basic method for making stone tools that was shared across much of the Old World. The very earliest Acheulean assemblages often contain numerous Oldowan- style flakes and core forms and it is almost certain that the Acheulean developed from this older industry. These industries are known as the Developed Oldowan and are almost certainly transitional between the Oldowan and Acheulean. Acheulean stone tools. Acheulean hand- axes from Kent. The types shown are (clockwise from top) cordate, ficron and ovate. Stages. In the four divisions of prehistoric stone- working. The resulting flake that broke off would have a natural sharp edge for cutting and could afterwards be sharpened further by striking another smaller flake from the edge if necessary (known as retouch). These early toolmakers may also have worked the stone they took the flake from (known as a core) to create chopper cores although there is some debate over whether these items were tools or just discarded cores. This type of hammer, compared to stone, yields more control over the shape of the finished tool. Unlike the earlier Mode 1 industries, it was the core that was prized over the flakes that came from it. Another advance was that the Mode 2 tools were worked symmetrically and on both sides indicating greater care in the production of the final tool. Mode 3 technology emerged towards the end of Acheulean dominance and involved the Levallois technique, most famously exploited by the Mousterian industry. Transitional tool forms between the two are called Mousterian of Acheulean Tradition, or MTA types. The long blades of the Upper Palaeolithic Mode 4 industries appeared long after the Acheulean was abandoned. As the period of Acheulean tool use is so vast, efforts have been made to classify various stages of it such as John Wymer's division into Early Acheulean, Middle Acheulean, Late Middle Acheulean and Late Acheulean. These schemes are normally regional and their dating and interpretations vary. This may be connected with the appearance of Homo heidelbergensis in the archaeological record at this time who may have contributed this more sophisticated approach. Manufacture. The primary innovation associated with Acheulean hand- axes is that the stone was worked symmetrically and on both sides. For the latter reason, handaxes are, along with cleavers, known as biface tools. Tool types found in Acheulean assemblages include pointed, cordate, ovate, ficron and bout- coup. Materials used were determined by available local stone types; flint is most often associated with the tools but its use is concentrated in Western Europe; in Africa sedimentary and igneous rock such as mudstone and basalt were most widely used for example. Other source materials include chalcedony, quartzite, andesite, sandstone, chert and shale. Even relatively soft rock such as limestone could be exploited. These flake tools and the distinctive waste flakes produced in Acheulean tool manufacture suggest a more considered technique, one that required the toolmaker to think one or two steps ahead during work that necessitated a clear sequence of steps to create perhaps several tools in one sitting. A hard hammerstone would first be used to rough out the shape of the tool from the stone by removing large flakes. These large flakes might be re- used to create tools. The tool maker would work around the circumference of the remaining stone core, removing smaller flakes alternately from each face. The scar created by the removal of the preceding flake would provide a striking platform for the removal of the next. Misjudged blows or flaws in the material used could cause problems, but a skilled toolmaker could overcome them. Once the roughout shape was created, a further phase of flaking was undertaken to make the tool thinner. The thinning flakes were removed using a softer hammer, such as bone or antler. The softer hammer required more careful preparation of the striking platform and this would be abraded using a coarse stone to ensure the hammer did not slide off when struck. Final shaping was then applied to the usable cutting edge of the tool, again using fine removal of flakes. Some Acheulean tools were sharpened instead by the removal of a tranchet flake. This was struck from the lateral edge of the hand- axe close to the intended cutting area, resulting in the removal of a flake running across the blade of the axe to create a neat and very sharp working edge. This distinctive tranchet flake can been identified amongst flint- knapping debris at Acheulean sites. Use. Loren Eiseley calculated. Functions included hacking wood from a tree, cutting animal carcasses as well as scraping and cutting hides when necessary. Some tools may have been better suited to digging roots or butchering animals than others however. Sites such as Melka Kuntur. Knowing how to create and use these tools would have been a valuable skill and the more elaborate ones suggest that they played a role in their owners' identity and their interactions with others. This would help explain the apparent over- sophistication of some examples which may represent a . Once they had attracted a female at a group gathering, it is suggested that they would discard their axes, perhaps explaining why so many are found together. From Africa its use spread north and east to cover the land in Asia stretching from Anatolia, through the Arabian peninsula, across modern day Iran and Pakistan and into India and beyond. In Europe its users reached in Pannonian Basin and the western Mediterranean regions as well as modern day France, the Low Countries, western Germany and southern and central Britain. Areas further north did not see human occupation until much later due to glaciation. Until the 1. 98. 0s it was thought that the humans that arrived in East Asia abandoned the hand- axe technology of their ancestors and adopted chopper tools instead. An apparent division between the Acheulean and non- Acheulean tool industries was identified by Hallam L. Movius who drew the Movius Line across northern India to show where the traditions seemed to diverge. Later finds of Acheulean tools at Chongokni in South Korea and also in Mongolia and China however cast doubt on the reliability of Movius' distinction. This runs across North Africa to Israel and then to India and separates two different techniques used by Acheulean toolmakers. North and east of the Roe Line, Acheulean hand- axes were made directly from large stone nodules and cores whilst to the south and west they were made from flakes stuck from these nodules. Later, the related species Homo heidelbergensis also used it extensively. The symmetry of the hand- axes has been used to suggest that Acheulean tool users possessed the ability to use language. The wider variety of tool types compared to earlier industries and their aesthetically and well as functionally pleasing form could indicate a higher intellectual level in Acheulean tool users than in earlier hominines. The incised elephant tibia from Bilzingsleben. There are numerous other explanations put forward for the creation of these artefacts however and there is no unequivocal evidence of human art until around 5. Homo sapiens. Up until the 1. Tool types and raw material of Acheulian- like tools in the Belgian Kempen area. Abstract. Acheulean - like assemblages, based on a pebble tool tradition were found in the Belgian Kempen region. Main determinant features indicating the production of efficient tools, were signs of controlled flaking and edge trimming, based on a preconceived concept. The same concept was applied on both large cobbles, that could serve as cleavers, as well as small tools, like micro- choppers and micro - chopping tools, found at the same locations, implicating a Mode 1 / Mode 2 tool technology (Soressi & Dibble ,2. Note: none of the finds from the Belgian Kempen for this period are either recognized officially nor valuated at this time. In this article , it is spoken about artifacts and tools, and until proven otherwise, this remains the author's basic conception. But, even in case the objects are to be classified as being geofacts, the interesting question is, how nature would produce these and how knowledge of such geofacts might help us understand the recognition / determination of Early Acheulean tools in the wider area. BP) river deposits seem to have been used for the production of both hand- sized tools and flakes. Technically, the pebble is either split by hard hammer percussion where the half size pebble has been stroke at one, or, even more frequently on two different places, to get a working ( cutting) edge and an opposite handle side. Obviously the main purpose for the tools was a dirty, slippery activity ( such as butchering, or cleaning fish) as these strikes for a good grip are visible in a big part of the assemblages. Or reduction techniques comprise well placed blows at the pebble's edge. Most frequently ( over 9. The average number of strikes on the pebbles is four( counted over 1. The splitting of pebbles has usually been carried out on small sized 'flint - type' pebbles known as . We can distinguish a diversification in applied techniques based on the different materials: brown rounded pebbles (originating from the Moselle mineralization, beforethe Toul captation of 3. BP ) are not split : these are transformed into various types of choppers/ chopping tools (2). This demonstrates the raw material choice is depending on the preconceived, desired tool type: coarse grained cobbles were mainly used for the production of (large) hand- axes / preformed bifaces. This is comparative with finds described by Sharon ( in: Acheulian Large Flake Industries: Technology, Chronology and Significance, 2. Quartzite pebbles of the rectangular type, were often split, or adapted to a . The natural appearance of the artifacts is most likely the reason these tools were not noticed before by others: it takes good practice to distinguish them from ordinary geofacts that appear in the region and it takes much study to find the right places where they could have been produced and used in prehistoric times. Acheulean tradition and in such case could be placed into The European Oldowan ( by technology stage . In the classification of Mary Leakey ( M. Leakey, 1. 97. 7) the following types could be detected: anvil, bifacial points,choppers,chopping tools, cleavers, picks, debitage waste, discoids, hammerstones, outil ecailles and proto - bifaces ( preforms). Raw source materials originate from large gravel deposits of the river Maas, belonging to the Kempen fan- gravels. These gravels were deposed at the site- cluster (MA4 - MA4- 6) during the Cromerian B . As artifacts were found over a distance of ca. Maas river (Cromerian IV) interglacial period 5. BP), forming beaches with coarse gravels, where prehistoric hominids lived. As no other type of artifacts were found, neither imported from other places ( no manuports, ecept from one basalt hammer, which originates probably from the German Rhine basin)), nor artifacts from any other periods after the Acheulean, like the Levallois technique (appearing around MIS 8), like blade technologies . Such tools probably were used for small activities, like opening shells. Many unretouched flakes were found at. MA4 and in the sites of MA3. This artifact is heavily weathered due to its position at the surface and/ or geological conditions of the surrounding soil (e. For another group of small tools, the comparative appliance of technique was visible in the sections MA7 and MA1 - sites are separated over 2. The main objective, the division of a tool in a butt handle for grip and a large cutting edge, would have been the precise projection of debitage for almost every tool found in the sections. Local, because it has been adapted to the available pebble clasts of the Kempen area. Local, because there is a strong local appearance compared to assemblages found elsewhere in Europe. The study of this variety could bring more light in connections between local sites, and moreover, between comparable tool production sites from North Western Europe. For this reason, at first the chronostratigraphical framework must be updated and fine - tuned. Notes on post- depositional processes and possible damage to pebbles in the high terrace. It was Francois Bordes (3), who already warned for damages of stones, making them look like man- made tools. Such situation could appear in disturbed geological contexts, like i. Though quartzite was not involved in these experiments in some way this would also be the fact for quartzite, though rounded pebbles are so very hard that breaking them in experiments was very difficult. In the sandy substrate of the Kempen region, in original strata, pebbles with natural blows do not occur frequently. At eroded surfaces however, especially those used as paths, we distinguish a different pattern of damage, probably depending on use of the paths, the type of gravel deposits and the lower substrate of the path ( loam, clay from underlying horizons). In case of trampling, mostly one single blow is noticed but this is hardly the fact in case for the rounded pebbles especially the brown quartzite pebbles. This is also noticed on gravel pavement, where even cars drive and the pebble remains intact because of it rounded shape and hardness, even at a hard substratum like loam: in such cases the pebbles are pressed in the loam. So in case of surface findings, the possibilities of trampling effects must always be kept in mind. However, the obviously controlled flaking, often in a bipolar technique (4),( providing effective, useful tools instead of useless random broken pebbles),(5) the evidence of many impact points made by direct percussion visible on the surface of numerous pebbles and the large amount of artifacts ( over 3. MA4 - 1) makes it believable these assemblages ( found at 1. Another important thing is the fact that at other, comparable eroded surfaces nearby ( less than 2. Another important fact, the substrate ( i. These are almost absent in the assemblage. See : experimental production of pebble tools ( part 3) ( direct link of : Arbannig, /experimental- production- of- pebble- tools. This also means, the discussion on such artifacts remains necessary. Mode 1 and Mode 2 tools. The main applied technique is a Mode 1- technique ( Clark, 1. Acheulean tradition. The mode 1 technique in this case would not only refer to the technological knowledge of the toolmakers but rather depend on the possibilities of the raw material source. As Mode 2 usually is associated with the presence of the biface, I can distinguish a possible transition to the proto - biface in only 1 % of the total assemblage ( and this would be less, because all small artifacts are not yet collected). Tools do not carry any signs of esthetical influence by the toolmakers; lots of them are fully asymmetric, crude and hardly reworked. Secondary retouch is almost absent, showing a Mode 1 element. As the flaking technique on the tools show a diversification in flakes for the grip handle and flakes for the working edge, I think the typology is best described as Developed Oldowan. B. See also the image at the Smithsonian website (image Chip Clark, Smithsonian Institute) showing identical flaking patterns like those found in the Kempen area. Mode 1 limitations and diversity Several artifacts are flaked around the complete circumference, but on one surface only, so that when the cobble is turned over only the original rock surface, known as cortex, is visible, called 'sumatraliths' by Marwick (2. At the same time, in this chopper chopping tool complex, proto- bifaces are present ( made on small pieces). The question is, why so much artifacts are unifacial processed, with a minimum effort. Blows, assumed to have been placed only for a better grip on the artifacts are common and tools with more than two regular such placed blows are rare. Most tools show simple bifacial strikes to produce simple chopping tools.(Above) Big chopper, 1,3 kilos found in the region south of Maastricht, thought to belong to another period than finds from the MA4 location: the context is loess. The flake removals on the surface are placed sophisticated, and are different from those from the sandy areas. Quartz chopping tool from the region south of Maastricht (Above, Below)(Above)Typical quartzite core from the MA4 site. This core could have served as a tool, but is unclear.(Above) Pyramidoid core, not secondary used as a tool. Grey quartzite cores, with quartz veins from MA4; this type of stone is much more difficult to be processed. For this reason tools from this stone type always are core- tools. We distinguish the same type of adaptations on the very small pebbles ( producing choppers/ chopping tools) as well as on the very large pebbles/ cobbles. Thus indicating the tools were made by the same hominids, maybe during different environmental conditions, depending on the climate.(Image above) Surface find of a fine granulated flake ( 4 cm long) from Lorraine, Moselle area.
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For information on the Sony Wega flat CRTs with a similar problem (in this case a model KV3. HS4. 20), visit Lee Devlin website and view his posting titled “Fixing a Sony Wega with a 6 or 7 blink code“. A few weeks ago I was watching my Sony 6. TV (model KDF- E6. A2. 0) when the screen turned blank and the normally green power- on indicator started blinking red. I thought, this has to be a bad thing. My first assumption was the bulb died. The bulb did not die, there is a whole other indicator light for a dead bulb. What was actually happening is the power- on indicator light was blinking 6 times. Some googling on this subject indicated that the thermal fuse had blown and it needed to be replaced. Sony apparently has a service bulletin (E2. In order to access this information you have to be some sort of authorized service personnel. I did find a website where you could obtain the service bulletin but they wanted $1. Let me go on for a moment and say why I think this is a total scam. It seems the damaged thermal fuse situation is a design flaw and Sony. This website is profiting off the situation by providing information was created by Sony. I repaired mine for $1. The part itself was only $4. I ordered part 1. Sony. The wire comes wrapped up in a small package about the size of two dimes. Shipping costs $1. Thanks Sony for wasting resources getting this to me. The thermal fuse is located under the lamp housing in my TV (and can be seen using the procedures for replacing the lamp in the manual). It took me a while to figure out that this monstrosity is the thermal fuse considering how tiny the replacement is. Unfortunately In order to get to the wiring harness I had to remove the rear panel of the TV. Then I removed the fan housing to gain access to the original thermal fuse. I followed the wires back up to where they connected to the wiring harness. I unplugged the original fuse and plugged in the new one and ran the wires to where the original fuse is. I did not remove the original fuse. I wrapped the new fuse wiring around the old one. There may be a actual place to mount the new fuse but i didn not see the service bulliten so I cannot say for sure. It’s important to point out here that the purpose of a thermal fuse is to shut off power in case of an over heat situation. If for some reason the lamp overheats you don’t want it to catch the TV on fire. Having the thermal fuse in close proximity to the lamp seem logical. If you happen to know exactly where the fuse should go, please leave a comment. The preceding is meant for informational purposes only and not meant to be an instructional guide. This information is meant to give a basic concepts on how the thermal fuse is replaced, It doesn’t cover everything thing and can vary on other TVs. If you decide to replace your own thermal fuse based on this information you do so at your OWN RISK. Find Sony TV Parts. 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Undifferentiated complaints, diagnostic doubts, the familial, social, and cultural characteristics of. Boshuizen puts it. In this context, the ability to make adequate decisions requires a reflexive practice and excellent clinical reasoning skills. Practical experience plays a. From this perspective, the supervision strategies presented in Table 1 are easy to put into practice, even if you did not observe the consultation, and they do not have to be time- consuming. These. strategies will stimulate the development of clinical reasoning skills on a daily basis, calling on both the resident and. Table 1. Examples of teaching strategies. Opt Clinical Reasoning ToolIdentifying and describing common difficulties encountered in clinical reasoning. The supervisor’s duties and responsibilities point to 2 specific roles: that of a clinician who is responsible for the medical. In a pedagogic reasoning process that is very similar to the medical reasoning process, the supervisor starts to look for. The supervisor can then make a pedagogic diagnosis and choose a specific form. In this way, supervision becomes a reflective, targeted, dynamic. A tool for supervisors that facilitates the collection of clues and the beginning of an intervention with the resident. From our experience of supervision and our discussions with our colleagues who are teachers, we have noted that. Physicians who also teach tend to doubt their perceptions of the difficulties encountered by residents. Because of this, there. This tool targets various. This tool can also be used by the. Table 1. 9 This tool is available at CFPlus.*Box 1. Steps in the medical reasoning process. Right from the start of the medical consultation, based on the first information obtained from the patient (reason for consultation. These. hypotheses might appear spontaneously or through pattern recognition, or they might be constructed gradually, as the physician. Other hypotheses will emerge as this new data comes to light and the physician will continue. With these two final steps, the reasoning process. The physician must determine which complementary examinations will yield more information and be acceptable. He or she must select a treatment plan based on the available options (for. The focus is on practical topics for. Please send any ideas, requests, or submissions. Dr Allyn Walsh, Teaching Moment Coordinator, at walsha. Go to the full text of this article on- line, then click on CFPlus in the menu at the top right- hand side of the page. Clinical Reasoning is the process by which a therapist interacts with a patient, collecting information, generating and testing hypotheses, and determining optimal. The Necessity for Clinical Reasoning in the Era of Evidence-Based Medicine. We argue that clinical reasoning is the best tool the physician can use to do so. The process of clinical reasoning is undertaken by all clinicians, often automatically, and is the cognitive process that underlies diagnosis and management of a. This report parallels the results of the Performance Based Development System, a tool employed to assess nurses’ CR. A Tool for Clinical Reasoning and Re To the Editor: Bowen's review of educational strategies that can be used to promote clinical diagnostic reasoning (Nov. 23 issue)1 does not sufficiently emphasize the. In the SIDM Clinical Reasoning Toolkit, users will find a collection of books, articles. Anyone who has ever taken a ride on the Sassagoula River connecting Port Orleans with Downtown Disney has probably noticed the Treehouse villas. Nestled, appropriately enough, in the trees on the far end of Disney. The DIS Unplugged Podcast Discussion forum and community for the DIS Unplugged, the official Disney podcast of the DIS. Listen to new shows each week at www.disunplugged.com. Sports journalists and bloggers covering NFL, MLB, NBA, NHL, MMA, college football and basketball, NASCAR, fantasy sports and more. News, photos, mock drafts, game scores, player profiles and more! The Walt Disney Company . Founded on October 1. Walt and Roy Disney as the Disney Brothers Cartoon Studio, Walt Disney Productions established itself as a leader in the American animation industry before diversifying into live- action film production, television, and travel. Taking on its current name in 1. The Walt Disney Company expanded its existing operations and also started divisions focused upon theatre, radio, publishing, and online media. In addition, it has created new divisions of the company in order to market more mature content than it typically associates with its flagship family- oriented brands. Disney also owns and operates the ABC broadcast television network; cable television networks such as Disney Channel, ESPN, A& E Television Networks, and ABC Family; publishing, merchandising, and theatre divisions; and owns and licenses 1. The company has been a component of the Dow Jones Industrial Average since May 6, 1. An early and well- known cartoon creation of the company, Mickey Mouse, is the official mascot of The Walt Disney Company. Film distributor Margaret J. Winkler contacted Disney with plans to distribute a whole series of Alice Comedies based upon Alice's Wonderland. The contract signed, Walt and his brother Roy Disney moved to Los Angeles. On October 1. 6, 1. Robert Disney's garage, marking the beginning of the Disney Brothers Cartoon Studio. Within a few months, the company moved into the back of a realty office in downtown Los Angeles, where production continued on the Alice Comedies until 1. In 1. 92. 6, the studio moved to a newly constructed studio facility on Hyperion Avenue in the Silver Lake district of Los Angeles. Disney only completed 2. Oswald shorts before losing the contract in February 1. Winkler's husband Charles Mintz took over their distribution company. Mintz hired away all of Disney's animators except Ub Iwerks to start his own animation studio. Disney's first sound film Steamboat Willie, a cartoon starring Mickey, was released on November 1. It was the third Mickey Mouse cartoon, behind Plane Crazy and The Gallopin' Gaucho. It was also the first cartoon to feature synchronized sound. Disney used Pat Powers' Cinephone system, created by Powers using Lee De Forest's Phonofilm system. Steamboat Willie premiered at B. Disney's 'Motherless' Films Were maternal figures typically absent in Walt Disney's animated films because he felt responsible for his own mother's death? Sections; Top Stories; Video; Election; U.S. World; Entertainment; Health; Tech; Lifestyle; Money; Investigative; Sports; Good News; Weather; Photos; Shows. Shows; Good Morning America; World News Tonight; Nightline; 20/20. The Walt Disney Company (DIS) (commonly referred to as Disney) is the largest media conglomerate in the world in terms of revenue. Founded on October 16, 1923, by Walt and Roy Disney as the Disney Brothers Cartoon Studio, Walt. Lahir: Steven Paul Jobs 24 Februari 1955 San Francisco, California, AS: Meninggal: 5 Oktober 2011 (umur 56) Palo Alto, California, AS: Kebangsaan: Amerika Serikat: Alma mater: Reed College (keluar tahun 1972) Pekerjaan: Ketua. Moss's Colony Theater in New York City, now The Broadway Theatre. In 1. 93. 2, Disney signed an exclusive contract with Technicolor (through the end of 1. Flowers and Trees (1. Disney released cartoons through Powers' Celebrity Pictures (1. Columbia Pictures (1. Exclusive interactive floor plans, with details, rates, and images for every single room at Disney's Grand Floridian Resort. A Disney Deluxe Resort Hotel, and one of the finest Disney hotels on property, the Disney Grand. Recipes, Crafts and Activities. Holidays to Celebrate this October. It's time to put out your pumpkins, unpack your scarves, and try out a few new Disney Family recipes, crafts, and activities this October! Chairman and Chief Executive Officer. Iger is Chairman and Chief Executive Officer of The Walt Disney Company. As Chairman and CEO, Mr. Iger is the steward of the world’s largest media company and some of the most. United Artists (1. The popularity of the Mickey Mouse series and the Silly Symphony series allowed Disney to plan for his first feature- length animation. Taking three years to complete, Snow White and the Seven Dwarfs, based upon the Grimm Brothers' fairy tale, premiered in December 1. Snow White was released through RKO Radio Pictures, which had assumed distribution of Disney's product in July 1. United Artists attempted to attain future television rights to the Disney shorts. The new Walt Disney Studios, in which the company is headquartered to this day, was completed and open for business by the end of 1. The following year, Walt Disney Productions had its initial public offering. After World War II began, box- office profits declined. When the United States entered the war after the attack on Pearl Harbor, many of Disney's animators were drafted into the armed forces. By 1. 94. 2 9. 0% of its 5. Films such as the feature Victory Through Air Power and the short Education for Death (both 1. Even the studio's characters joined the effort, as Donald Duck appeared in a number of comical propaganda shorts, including the Academy Award- winning Der Fuehrer's Face (1. At the same time, the studio began producing live- action films and documentaries. Song of the South (1. So Dear to My Heart (1. True- Life Adventures series, which included such films as Seal Island (1. The Vanishing Prairie (1. Other releases of the period included Alice in Wonderland (1. Peter Pan (1. 95. Disney's first all- live action feature, Treasure Island (1. Other early all- live- action Disney films included The Story of Robin Hood and His Merrie Men (1. The Sword and the Rose (1. Leagues Under the Sea (1. Disney ended its distribution contract with RKO in 1. Buena Vista Distribution. In October 1. 95. ABC network launched Disney's first regular television series, Disneyland, which would go on to become one of the longest- running primetime series of all time. Disneyland allowed Disney a platform to introduce new projects and broadcast older ones, and ABC became Disney's partner in the financing and development of Disney's next venture, located in the middle of an orange grove near Anaheim, California. On July 1. 8, 1. 95. Walt Disney opened Disneyland to the general public. On July 1. 7, 1. 95. Disneyland was previewed with a live television broadcast hosted by Art Linkletter and Ronald Reagan. After a shaky start, Disneyland continued to grow and attract visitors from across the country and around the world. A major expansion in 1. America's first monorail system. During this time, Walt Disney was also secretly scouting out new sites for a second Disney theme park. Its weekday afternoon children's television program The Mickey Mouse Club, featuring its roster of young . Two years later, the Zorro series would prove just as popular, running for two seasons on ABC, as well as separate episodes on the Disneyland series. Despite such success, Walt Disney Productions invested little into television ventures in the 1. The Wonderful World of Disney. While the production of shorts slowed significantly during the 1. Lady and the Tramp (1. Sleeping Beauty (1. One Hundred and One Dalmatians (1. Disney's live- action releases were spread across a number of genres, including historical fiction (Johnny Tremain, 1. Pollyanna, 1. 96. The Shaggy Dog, 1. Disney's most successful film of the 1. Mary Poppins, which received five Academy Awards, including Best Actress Julie Andrews. One of his first acts was to rename Disney World as . The studio released a number of comedies in the late 1. The Love Bug (1. 96. The Computer Wore Tennis Shoes (1. Disney discovery, Kurt Russell. The 1. 97. 0s opened with the release of Disney's first . Two months later, on December 2. Roy Disney died of a stroke, leaving the company under control of Donn Tatum, Card Walker, and Walt's son- in- law Ron Miller, each trained by Walt and Roy. However, the animation studio saw success with Robin Hood (1. The Rescuers (1. 97. The Fox and the Hound (1. The Black Hole was one of the first Disney releases to carry a PG rating, the first being Take Down, also released in 1. In 1. 98. 0, Disney has joined venture with Paramount Pictures on the production of the 1. Popeye, which was a critical failure, yet a moderate box office success. Disney joined with Paramount again in the 1. Dragonslayer, which was more mature than anything Disney was ever involved with at the time, though it was a box office failure. The releases of these and other PG- rated Disney films such as the boldly innovative Tron (1. Disney CEO Ron Miller to create Touchstone Pictures as a brand for Disney to release more adult- oriented material. Touchstone's first release was the comedy Splash (1. In 1. 98. 0, Disney launched Walt Disney Home Video to take advantage of the newly- emerging videocassette market. On April 1. 8, 1. The Disney Channel debuted as a subscription- level channel on cable systems nationwide, featuring its large library of classic films and TV series, along with original programming and family- friendly third- party offerings. In 1. 97. 8, Disney executives announced plans for the second Walt Disney World theme park, EPCOT Center, which would open in October 1. Inspired by Walt Disney's dream of a futuristic model city, EPCOT Center was built as a . In Japan, the Oriental Land Company partnered with Walt Disney Productions to build the first Disney theme park outside of the United States, Tokyo Disneyland, which opened in April 1. Its film library was valuable, but offered few current successes, and its leadership team was unable to keep up with other studios, particularly the works of Don Bluth, who defected from Disney in 1. In 1. 98. 4, financier Saul Steinberg launched a hostile takeover bid for Walt Disney Productions, with the intent of selling off its various assets. Disney successfully fought off the bid with the help of friendly investors, and Sid Bass and Roy Disney's son Roy Edward Disney brought in Michael Eisner and Jeffrey Katzenberg from Paramount Pictures and Frank Wells from Warner Bros. Its shareholders Sid Bass and Roy E. Disney brought on Eisner and former Warner Brothers chief Frank Wells to replace Ron W. Miller in 1. 98. 4 and strengthen the company. Beginning with Who Framed Roger Rabbit (1. The Little Mermaid (1. In addition, the company successfully entered the field of television animation with a number of lavishly budgeted and acclaimed series such as Adventures of the Gummi Bears, Duck Tales and Gargoyles. Disney also broadened its adult offerings in film when then Disney Studio Chairman Jeffrey Katzenberg acquired Miramax Films in 1. Disney acquired many other media sources during the decade, including a merger with Capital Cities/ABC in 1. ABC and its assets, including the ESPN networks, into the Disney fold. While some of the proposals did follow through, most did not. These included the Euro Disney Resort (now Disneyland Paris), Disney- MGM Studios (now Disney's Hollywood Studios), Disney California Adventure Park, Disney- MGM Studios Paris (eventually opened in 2. Walt Disney Studios Park), and various film projects including a Who Framed Roger Rabbit franchise. Shortly thereafter, Katzenberg resigned and formed Dream. Works SKG with partners Steven Spielberg and David Geffen because Eisner would not appoint Katzenberg to Wells' now- available post. Executive Leadership for Health Professionals. Authored by: Florence Berger, Professor Emeritus, Cornell University. Judi Brownell, Management & Organizational Behavior Professor, Cornell University. Steven Carvell, Associate Professor, Cornell University. Nick Fabrizio, Principal Consultant, Medical Group Management Association. Scott Gibson, Associate Professor, The College of William & Mary.
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